Project documentation
The Museumjung project was regularly presented on the exhibition wall in the vestibule of the Museum für Gestaltung Zürich. Room no. 7 showed the results of the Design Kids Club #3: Product Design.
October 27 - December 15, 2021
Vestibule Museum
Nicola von Albrecht and Nora Wüthrich, scenographer and curator of exhibitions
Sebastian Marbacher, product designer, and Mara Tschudi, textile designer
Knife, fork, spoon: what would a table setting be without cutlery? In a playful and inventive way, the course focused on these indispensable everyday tools and their practical use at the table. The children researched objects of table culture(s) in the exhibitions Collection Highlights and 6 Rooms x 6 Positions. They experimented with shapes, colors and proportions, learned about materials and tried out various design techniques. They tested their balance in balance exercises: How should a spoon be shaped so that it carries the food while moving?
Sketches, silhouettes and models made of paper and wire were created. The cutlery designs were milled from wood veneer in the "Dynamo" workshops. The children then worked as a team to design a colorful tablecloth with cutlery motifs and built seats out of cardboard.
The focus of Design Kids Club #3: Product Design was on co-creative processes. The results were objects ranging from practical products to funny things and a communal feast at the large table in the Swiss Design Lounge. During the meal, the participants talked shop about the functionality of the prototypes.
The experiences and insights gained during the course were used to further sharpen the profile of design education at the Museum für Gestaltung Zürich. They will be incorporated into the concept and education program for a new permanent exhibition of the collections, which will open in the Toni-Areal in 2025 to mark the 150th anniversary of the museum.
Im Rahmen des dreijährigen Outreachprojekts (April 2021 bis März 2024) öffnete sich das Museum für Gestaltung Zürich jugendgemässen Fragestellungen und Perspektiven. Im Fokus standen dabei das in der Sammlung bewahrte Kulturerbe, das Ausloten der spezifischen Potenziale von Designvermittlung sowie museologische und strategische Fragestellungen.